A Few Pictures from Our Boston Workshop
Jennie Slick and I are getting ready to return home to Arizona. We took a couple of days off after our workshop in Boston and I’ve been looking at slide show software that allows the show to be embedded in a web page. Here are a few pictures from the workshop! Thanks to all of the participants. We had a great time and we’re planning to be back next year!
By the end of the workshop, Amy Schwartz had nearly completed a complex squash blossom desgn. Great work, Amy.
By the end of the workshop, Amy Schwartz had nearly completed a complex squash blossom desgn. Great work, Amy.
Sue Dalton works on a design change.
Sue Dalton works on a design change.
Betsy Wing with her handmade frame.
Betsy Wing with her handmade frame.
Katie Hickey shows great weaving form.
Katie Hickey shows great weaving form.
Jennie demonstrates weaving for some of the studnets.
Jennie demonstrates weaving for some of the studnets.
Amy Schwartz also approaches the half way point on her weaving.
Amy Schwartz also approaches the half way point on her weaving.
Maida Tilchen works on her American Girls Josefina loom.
Maida Tilchen works on her American Girls Josefina loom.
Mary Cutter and Judy Sutton in deep concentration on their work.
Mary Cutter and Judy Sutton in deep concentration on their work.
Ruth Buchman considers her next design change.
Ruth Buchman considers her next design change.
Cheryl Holbert works at her Mark Deschinny Yazhi loom.
Cheryl Holbert works at her Mark Deschinny Yazhi loom.
Judy Sutton begins her weaving, which used indigo yarns that she dyed herself.
Judy Sutton begins her weaving, which used indigo yarns that she dyed herself.
Susan Melia (right) and Betsy Wing begin thier weaving against the backdrop of the Friendly Crossways grounds.
Susan Melia (right) and Betsy Wing begin thier weaving against the backdrop of the Friendly Crossways grounds.
Ruth Buchman (left) mounted her warp on a Mirrix tapestry loom. To the right, Mary Cutter and Judy Sutton work at loom they built and brought to the workshop. Pat Shea, who is just out of the picture, is working on a loom made from art store stretcher bars.
Ruth Buchman (left) mounted her warp on a Mirrix tapestry loom. To the right, Mary Cutter and Judy Sutton work at loom they built and brought to the workshop. Pat Shea, who is just out of the picture, is working on a loom made from art store stretcher bars.
Carole Kosturko (left) and Maida Tilchen begin their weaving on Friday. Carole is using an Ateed loom by Mark Deschinny, and Maida is using a Josefina loom from American Girl Dolls.
Carole Kosturko (left) and Maida Tilchen begin their weaving on Friday. Carole is using an Ateed loom by Mark Deschinny, and Maida is using a Josefina loom from American Girl Dolls.
Sue Dalton starts her weaving at Friendly Crossways Conference Center in Harvard, Massachusetts. Sue was in our original class in Window Rock and helped to plan the workshop here in Boston.
Sue Dalton starts her weaving at Friendly Crossways Conference Center in Harvard, Massachusetts. Sue was in our original class in Window Rock and helped to plan the workshop here in Boston.
Click on any thumbnail to zoom in on a picture and see the captions.
When viewing the slideshow, mouse over the lower part of the picture to see captions, but the longer ones may overflow the space provided.
