Weaving in Beauty

2008 Heard Museum Indian Market-Part I

The Weaving News: Life in the Community of Navajo Weaving

March 20th 2008

2008 Heard Museum Indian Market-Part I

I’m trying out a new picture processing plug-in called PicLens. Once I have things working correctly, you’ll be able to see a full screen slide show of any post with pictures. Since I have some great ones from the Heard Museum Indian Market, I thought that this would be a good time to try it. You’ll need to install a free plug-in for your browser to fully use PicLens. Please let me know if you like this functionality or whether it’s just not worth the trouble.

080302marthaandmarilou.jpgI usually have to teach on Saturday, so I didn’t get to the show until Sunday morning. There was a line to get in, but it went quickly. I visited with Marilou and Martha Schultz first. Marilou reports that she’s not teaching as many classes this year so that she can finish some projects. She is doing quite a few of what she calls her computer rugs, which have patterning that resembles a circuit board, a very very complex circuit board. Here’s a picture of Marilou with her mother at left. They were both spinning and I wanted to sit down and join in, but if I had, I wouldn’t have gotten to see as many people as I did.

I visited with Roy Kady next and both his mother and niece Tyra were also in the booth. Roy had woven a full set of tack for a horse including a felted saddle pad, saddle cinch, bridle and saddle blanket. We both agreed that any horse blessed with this ensemble would look really good. I will add a better picture in the morning, but you can click on this one, or use the PicLens arrow to launch a full screen image or see a slide show. If you do, you’ll see Tyra, Martha and Marilou and Sallie Parker. I’ll be writing more tomorrow! In the meantime please try the PicLens slide show if you have a chance.  

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February 29th 2008

Southwest Indian Fair Continued: Visiting with The Spider Rock Girls and Isabel Deschinny

Isabel Deschinny Dye Charts

Isabel Deschinny’s mother, Mabel Burnside Meyers, developed the dye charts that depict native plants and the colors that are derived from them. Isabel and her family continue the tradition of producing them in a wide variety of sizes. Other people produce the charts, but Isabel’s have the advantage that she actually dyes all of the yarn used with the plants included. That’s not always the case with some other artists. You can see two of Isabel’s charts and some of her vegetally dyed yarns are in the foreground. The dark reddish yarns are dyed with prickly pear fruit, a process which takes weeks. Other plants used in the yarns in the picture are rabbitbrush and wild carrot. Just standing in Isabel’s booth at the Southwest Indian Fair made me look forward to summer.

You can also see some pictures of Mark Deschinny’s weaving tools just behind the yarns. Mark does a wonderful job with both his looms and tools and I recommend them highly. Mark will also have his tools at the Heard Museum Indian Market, so look for him there. You can always contact Mark and Isabel through their web site.

LaVera and Laramie BlakeThe Spider Rock Girls (Emily Malone and her daughters LaVera, Larissa, Laramie and Alyssa Blake) did their first show last weekend at the fair. They had worked hard to prepare for the show and had several of their signature Burntwater rugs in a variety of sizes. They enjoyed talking with collectors and sold two of the rugs that they brought with them. You can catch up with them at the Smoki Museum Auction in Prescott, AZ on March 8. The picture at right shows LaVera (right) and the buyer of one of her rugs. Be sure to check yesterday’s post to see some of the other pieces that they brought with withm.

This weekend, I’ll be at the Heard Museum Indian Market and the Ancient Nations Trunk Show. I’ll be visiting with more weavers and Bruce Burnham is bringing several of the top rugs from his trading post, so I’m expecting a busy week of blog entries and web page updates ahead.

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February 28th 2008

Arizona State Museum Southwest Indian Art Fair

Southern Arizona is blessed with glorious weather right now; the days are in the low 80′s and the nights are cool. It’s perfect weather for outdoor art markets (and spring training too, I guess). The Southwest Indian Art Fair was held last Saturday and Sunday on the grounds of the Arizona State Museum in Tucson. The Museum is on the University of Arizona campus in a beautiful building which also houses the Gloria F. Ross Tapestry Center. The Center coordinates with several weavers to create an area where people can see demonstrations and gain a greater appreciation of the work that goes into Navajo textiles. This year, Martha Schultz, Lola Cody, Melissa Cody and Michael Ornelas were demonstrating and there was also a contingent from Tucson Handweaver’s and Spinner’s Guild on hand each day to help teach weaving and spinning to anyone interested.Martha Schultz

Although I was busy demonstrating the hip spindle, I did take some pictures. I was very pleased with the picture of Martha Schultz at the right. She was working on a beautiful vegetally dyed rug and it was one of those unposed moments that happen now and then. I did crop out a pizza box that was in the background. Martha and her family members wove the rugs that you can see behind her.

Martha’s daughter Lola Cody and her granddaughter Melissa Cody were also demonstrating. Lola was working on a handspun and handcarded rug and Melissa was doing a Germantown piece that she’s given herself a year to finish. Melissa said that she enjoys her job as a museum curator in Santa Fe, but it does cut into her weaving time, which is limited to mostly weekends. You can see Melissa at left chatting with some visitors as she works on her rug. Melissa Cody It may be a little hard to see in the picture, but Melissa is superimposing geometric patterns over traditional Germantown Eyedazzler patterns. She graciously answered at least 100 questions about how in the world she was keeping the pattern straight.

Lola CodyLola had just started on her rug, but you can see the pattern emerging in the picture at the right. Her beautiful handspun yarns are in the basket to her left. I’m always glad to see weavers still spinning their yarns, and I hope that collectors will see the added value in pieces like this.

Michael OrnelasWhile everyone else was starting a piece, Michael Ornelas, the handsome and affable son of Barbara Jean Teller Ornelas was patiently finsihing a piece with a weft count of (now sit down if you aren’t already doing so) about 114. The yarn was literally as fine as sewing thread. The pattern was a simple and elegant chief blanket variant that promised to advertise any small error, but I certainly couldn’t see any. Michael worked all day and finally decided to complete the last couple of rows at home because his eyes were refusing to focus after six hours of meticulous work. That’s Michael working on the finishing at the left.

Michael Ornelas DetailTo get an idea of how fine Michael’s piece is, take a look at the picture at right. The yarn that looks super chunky is fine warp thread. I’m hoping that Michael brings the completed piece to the Heard Museum Indian Market this weekend. He’ll be there with his mother, aunt Lynda Teller Pete and sister Sierra.

Not demonstrating but also at the show were The Spider Rock Girls (mom Emily Malone and her daughters LaVera, Larissa, Laramie and Alyssa), Isabel and Mark Deschinny and the Laughing family. I didn’t get to visit with the Laughings, but I’ll try to amend that next week at the Heard. It’s getting a little late, so I’ll catch you up on the Spider Rock Girls and the Deschinny’s tomorrow morning, but I’ve got to include a picture from each of them. At left, you’ll see Isabel in her booth, and at right are LaVera and Laramie Blake with some of their Burntwater designs. Isabel DeschinnyThe Spider Rock Girls

February 10th 2008

The Quality Chronicles: Weaving in Beauty Mercantile New Vendor

In case you’ve been worried about where you’re going to get your next Weaving in Beauty t-shirt or tote bag, you’ll be relieved to know that I’ve gotten a new vendor.  You can now find Weaving in Beauty exclusive designs at http://www.printfection.com/weavinginbeauty.   I’ve been very happy with the items that I’ve received from Printfection and they carry a tote bag that is large enough to hold a C-Cactusflower or Deschinny  maxi loom, which is very nice for people like us.

Printfection is a print on demand service which provides small volume customized merchandise for individuals and businesses.  I had been usingTeec Nos Pos Class Design Cafepress.com, but the image quality on their products has deteriorated markedly and they frankly just don’t seem to care about customer satisfaction at all any more.   I probably would not have noticed how bad Cafepress had gotten until I ordered new shirts, but I have recently started teaching a series of classes that concentrates on one particular rug design.  Students in the class learn the elements of the design and have an opportunity to create their own version of it.  We assemble the designs into a class composite and then design a tote bag or t-shirt that students can order if they want to.   The first seminar was on the Teec Nos Pos pattern, and the class produced a set of terrific designs as you can see at right.   Cafepress did an absolutely rotten job of printing this design on the tote bags I ordered  as you can see below.  They cheerfully refunded my Bag as printed by Cafepressmoney,  but didn’t seem one bit interested in finding out why I was dissatisfied or fixing the problem, so I started looking for someone who was interested in to doing a better job and found Printfection.  If you order something from them, please let me know if you’re happy with what you get.  Printfection does not carry as wide a variety of items as Cafepress, but their committment to quality seems to be much, much higher.

I’ve put a few shirt and bag designs on Printfection, and you can see all the class bags too.   I’ve just finished teaching a second class on the Ganado Red design, and those designs will be appearing shortly.  I think that it might be possible to do these classes as a web seminar, so if you might want to do that, please let me know.   The cost would probably $10 to $15 per participant for a toll free phone connection, downloadable handout and instruction on doing a design using Excel.

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November 24th 2007

2008 Sheep is Life Celebration Scheduled

It was just a little too cold to wash rugs this morning, so I wandered out to the Dine’ be Iina’ (Navajo Lfeway) web site and found that planning is already underway for the 2008 Sheep is Life Celebration.  The site for the event next year is Tuba City, Arizona.   This event is low-key and high authenticity and brings together people with an interest in sustainable lifestyles.  Check the DBI site or the Weaving in Beauty Weaving News on my home page for more details.

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    Latest on Mon, 04:10 pm

    Raymon: I have a blanket simialr to the pink blanket. My dad's family had sheep. Every year they would gather the wool and take it to Utah Woolen mills and make beautiful wool blankets. Similar to Pendleton blankets, in many different colors. Love the turquoise jewlrey. My mom has a big beaded bag of it that I hope I get a few peices of (she's half Native American) She finds it kind of amusing that Native American prints etc. are "in" right now.

    Remigio: Way to go, Navajo Nation! Either cease-and-desist, or collect roiaetyls for the use of your name (only on quality products of which you approve, of course). Same with sports teams that use Native names as mascots. Until recently, the University of North Dakota was paying the Standing Rock Sioux annual roiaetyls to use the name Fighting Sioux , which was a win-win and a source of pride for both parties. Unfortunately for both the Tribe and the university, political correctness put an end to that.

    Ann Puzio: Hi Mary, Need to change to the waiting list for 9/13-20th. I hope this is possible.Also, going to see if I can sign up for the online class, need to check my computer. Thanks ann

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