Weaving in Beauty

Happy Birthday Sue Dalton!

The Weaving News: Life in the Community of Navajo Weaving

February 26th 2011

Happy Birthday Sue Dalton!

Sue Dalton

Happy Birthday, Sue!

Tempe, AZ Back in the days when Weaving in Beauty was just starting, Sue Dalton contacted me about taking a class in Navajo techniques.  She ended up coming out to Arizona for several classes and put up with me taking her pretty much all over the Navajo Nation.  As we were driving through the muddy road construction on Route 12, she said “You know, you could do this as a class and people would come”, and you know, she was right.  If you’ve been to our Weaving in Beauty class in Window Rock, it’s at least partly because of Sue!   Thank you so much, Sue and have a great day!

Hagoshíí (so long for now)

Mary Walker

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Weaving in Beauty LLC
1868 E. LaDonna Dr. TempeAZ85283 USA 
 • 602-370-2875
December 6th 2010

Directly from the Weaver: Dazzling Birds by Caroline Dick

Weaving by Caroline DickTempe, AZ Joe Newman, who sent us the information on Alice Thompson’s weavings last week, has also sent us a beautiful image of the work of another weaver who is now selling her work directly to collectors.  Above, you can see Caroline Dick, who lives in the Tuba City area of Arizona,  with one of her signature works, an elegantly designed version of the Tree of Life.   The intricate band designs made even more graphically striking because of the painstaking outlining of the design elements.  Caroline also vegetally dyed most of the yarn with native plants.

The weaving is 25″x45 or 7.8 square feet.  It is priced at $2500, or about $320 per square foot.  You can contact Caroline for more information or pictures.   We hope to see more of Caroline’s exquisite work in the future!

Hagoshíí (so long for now)

Mary Walker

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December 2nd 2010

Directly from the Weaver: Rugs by Alice Van Winkle Thompson

AliceVanWinkleThompsonMokiVariant

A Moki Variant weaving available directly from Alice Van Winkle Thompson

Tempe, AZ One of the great challenges in the marketing of Navajo textiles is finding exposure for them in the broad market for fine crafts.  The Navajo Nation is about the size of West Virginia, which means that it is larger than nine of the fifty states, but there are fewer than 20 places that are actually on the Navajo Nation where a weaver can sell work.  This leads to a large supply of textiles and other artwork in being offered to trading posts in “border towns” like Flagstaff, AZ and Gallup, NM.  You don’t have to be an economist to see that it’s a system that tends to minimize the price paid to the weaver.   In saying this, I’m not trying to criticize traders.  Many of the traders I know do their best to give weavers and other artists the best possible price and I know that some of them occasionally wonder where the money for the next rug, basket or piece of jewelry is going to come from.  On the other side of the counter from the trader there is often a weaver who is desperate to sell a rug to raise cash and doesn’t see any alternative to accepting the best price obtainable from a trader.   It’s no wonder that weavers are seeking other marketing venues and are selling directly to collectors where possible.

Alice Van Winkle Thompson is one of the weavers who is taking this route and the weaving above is available directly from Alice.  It’s 16.5″x19″ of pure Navajo weaving excellence.  Alice’s work is immaculately executed with razor straight sides and perfectly straight joins that are as flat as western Kansas.  She uses Brown Sheep sport weight yarn that is re-spun to provide exactly the design definition and canvas-like hand that her work is noted for.  Alice’s price on this weaving is $500 ($233 per square foot).  You can contact Alice by phone at (505) 567-8308.  In case you can’t reach Alice, you can contact her husband,  Donald, at   (505)  713-1156.  Donald’s email is alten96@hotmail.com.   I don’t have any financial interest in this transaction at all, and Alice isn’t paying me anything for this article.  I just think that she’s a great weaver with a wonderful rug and (unless I win the Powerball) I can’t buy them all.  If you buy the weaving, please let me know about your experience.  This type of sale is very much on the cutting edge of marketing in Navajo weaving.

Alice has just started on a new piece, a complex Teec Nos Pos design.  There’s a picture of it below and I’m sure she would be pleased to discuss it with you.  Alice also does commission work.

Alice Van Winkle Thompson Teec Nos Pos

A complex Teec Nos Pos design by Alice Van Winkle Thompson on the loom.

Thanks to weaving aficionado Joe Newman for forwarding the information on Alice’s new weavings and for providing the great pictures!

Hagoshíí (so long for now)

Mary Walker

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September 15th 2010

September Auction at Crownpoint Features Unique, High Quality Work

Rena Robertson Summer Faces

Rena Robertson's Summer Ceremonial Faces rug.

Tempe, AZ September’s Crownpoint Rug Auction was relatively small  (130 rugs) and was attended by about 45 buyers.   There are quite a few auctions at this time of year and they continue up to December with one of the major events being held at Hubbell Trading Post this coming weekend on September 18th.   Many of the weavers who did bring their work to Crownpoint in this month are doing very high quality weaving and some of it is very unique.  I am a real fan of Rena Robertson’s asymmetric pictorials and I was lucky enough to get two of her pieces.  One of them was a stunning Blue Canyon that is already sold, but the other is pictured above.  It’s one of her Faces series and is a montage of the summer nights in Diné Bikeyah (the Navajo homeland).  I also purchased two of Nellie Glasses’ pieces, a handspun small Two Grey Hills by Gilbert Begay and an immaculate and finely woven striped piece by Gloria Begay.   Gilbert and Gloria live in Crownpoint, but Rena and Nellie had each driven over 200 miles to the auction and were planning to return home that night.

I had a great time acquainting travel writer Neala Schwartzberg with the auction.  Neala covers offbeat travel destinations for New Mexico magazine and Examiner.com and she really gets into what she’s covering, or at least she did with the rug auction.  She talked with several of the weavers, some of the buyers and she even quoted me accurately! Maybe I can get her over to the Sheep is Life Celebration in Tsaile for another article (they do an auction too, Neala).  Neala’s got some great advice on previewing before you bid and she’s included some excellent pictures in the article that she wrote about the auction for Examiner.com .  It’s one of their features on things to do that are off the beaten path or in this case, 25 miles north of I-40.

A couple of detail sections of Rena’s rug appear below.  The rug is woven with both Brown Sheep and Burnham’s Trading Post yarns and measures 19.25″ x 27″.

Summer Ceremonial Faces Detail 1

One of the Mittens in Rena's weaving

Summer Ceremonial Faces Detail 2

A detail of the Face motif in Rena Robertson's rug

Hagoshíí (so long for now)

Mary Walker

August 30th 2010

Summer Weaving in Beauty Class in Window Rock

Click on any picture to see it in full size

Emily and Pam

Emily Malone isnt sure what Pam Root's next weaving move should be...

Pam and Emily

Emily moves in to help, but Pam's wondering what she was thinking then she signed up for this....

Pam's rug

All's well that weaves well, and with Emily's help, Pam decision is looking very wise!

Tempe, AZ The day after our visit to HGA’s Convergence 2010 ended, Jennie Slick and I started a week long class in Window Rock.  What lunatic schedules these class marathons?  Me, that’s who.  It seemed to make sense last year when I put it on the calendar, and thanks to a great group of students, it turned out to be another wonderful week of weaving on the Navajo Nation.  Our students came from as far away as Australia for this session.  We had our share of beautiful rainy weather that we dodged pretty successfully by taking our field trips in the morning and watching the weather reports.  We even made it into Canyon de Chelly on the last day before the weather closed the tours there down for a couple of weeks.

The Spider Rock Girls came by for a visit and so did Gilbert Begay, Nathan Harry, Herman and Lula Brown,  and the wonderful and encouraging members of the Navajo community who came through the classroom with stories about the ways that weaving has been part of their lives and still is.  You can see the impromptu consultation that Spider Rock Girl Emily Malone did with class member Pam Root in the triptych of pictures above.   Pam finished that rug by the end of the week, too.   Of course, there may be some magic in the yarn that we get at R.B. Burnham and Co.!

We had a wonderful visit with Mark Winter and Linda Larouche at the Toadlena Trading Post and with Shirley Brown at Two Grey Hills.  By the time that we all said good-bye on Sunday, two weavings had been completed, multiple weavings had been purchased (along with no small amount of jewelry) and we were reveling in the spirit of a class that to the Navajo way of thinking will go on as long as there is anyone to remember it.  You can see our class picture below, and you can click here to view the full picture gallery of 38 pictures.

Summer 2010 Weaving in Beauty Class Picture Gallery

Our July, 2011 class. From row from left are Mary Walker, Pam Anderson, Patricia Whitney, Pam Root and Jennie Slick. Back row from left, Teri Taylor (and Rowdy), Paula Pavlovic, Ana Pavlovic, Bonnie Rangel and Linda Marie Golier

Hagoshíí (so long for now)

Mary Walker

July 13th 2010

Meet the Weaver: Lillie Dugi

Lillie Dugi

Weaver Lillie Dugi at her loom (photo courtesy of Jim David)

Tempe, AZ Jim David, who often stops by the web site to catch up on the weaving news, recently contacted me to share pictures of two rugs woven by his aunt, Lillie Dugi of Cameron, AZ.  Jim is assisting his aunt in the sale of her work.  Contemporary weavers often seek marketing assistance from relatives who live in large urban areas to expand the audience for their work and increase their weaving income.  You can see a snapshot of Lillie working at her loom above.

Storm Pattern rug by Lillie Dugi.

The larger of the rugs that Lillie is selling is a Storm Pattern, very detailed and skillfully woven with many design elements augmented by intricate multiple outlines.  It is 30″x40″ and is priced at $1050, although Jim will relay serious offers to his aunt.  The Storm Pattern is very closely tied to the lore of the Navajo homeland (Diné Bikeyah) and to the idea that within the boundaries of the Four Sacred Mountains, everything needed for the harmonious life of the Navajo people may be found.

Chinle weaving by Lillie Dugi

Jim is also helping Lillie to sell the banded Chinle patterned rug above.  Lillie dyed several of the colors with native plants.  She also handspun the gray wool that’s used in this rug, skillfully matching the size and twist with the commercial yarns used in the remainder of the rug.   The pattern is quite detailed for a Chinle design and is almost in the Crystal class of banded rugs.   The rug is 26″x52″  in size and Lillie has priced it at $650, but will consider serious offers.

Here is a brief introduction that Jim helped Lillie to translate for you so you can get to know her a little better.
Yá’át’ééh (Hello!)  My clan is T si’naajinii (Black Streaked-Wood People).   I am born for To’dichii nii’ (Bitter Water People).   My Maternal Grandfather is Kinyaa’ yanii’ (Towering House Clan).   My Paternal Grandfather is Ta’baa’ ii ( Water’s Edge people).  My name is Lillie Dugi and I am from Cameron, AZ.

I was raised on the Navajo Reservation just North of Cameron, AZ.   My parents were traditional people where raising and caring for animals was a way of life.   Sheep was a staple.   I started carding wool at age 6 and started actual weaving on a small scale at 12.   That’s 60 plus years.   My Grandmother and my Mother taught me all types of weaving but my favorite is the Storm pattern.   All patterns, no matter personal deviations, have a meaning.

I have done other patterns like the Chinle and regular saddle blanket type designs.   Right now I am starting on a Double-Sided saddle blanket at the request of a relative.  All weavings involve a lot of preparations and are done with reverence.  Both the Storm Pattern and Chinle styles are all made from commercial yarns that were re-spun by me. and some yarn that was spun by me from wool shorn from my own sheep  The Storm Pattern that I have for sale right now is tightly woven and and uses mostly commercial dye.   The Chinle pattern is also tightly woven and uses a mixed flavor of commercial and plant/seed dyes with a contrast of colors.  Warp for both rugs is 10 and weft is 32 approximately.

Thank you for looking.

And Lille, thank you for sharing.  Thanks also to Jim for showing me the rugs and sharing stories about both his aunt and mother.  You can contact Jim David by email at screamingeagle5@yahoo.com.  Let’s sneak one more look at Lillie at her loom.  In this picture, she is in the finishing stages of weaving the rug, getting ready to send it out into the world almost in the way that a child leaves home.
Lillie Dugi

Lillie Dugi works at her loom at her home near Cameron, AZ

Hagoshíí (so long for now)
Mary Walker
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    Latest on Thu, 10:46 am

    Mary Walker: I can't give you any idea without having a picture of it.

    Robert Garcia: I have what I think is a Navajo weaving 23" X 35" that was made by ? Mary Rose James? Just wanted to know what its worth.

    Mary Walker: Alas, I don't know of one, but perhaps one of our readers does!

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